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Leonardo Select Past Events (1997 to present)
(see also the list of upcoming events)
- Leonardo Art/Science Evening Rendezvous (LASER), September 8, 2008
- Leonardo Education Forum at Siggraph 2008, LA, CA, August 14, 2008
- Leonardo Education Forum at ISEA 2008, Singapore, July 27, 2008
- Leonardo Art/Science Evening Rendezvous (LASER), July 14, 2008
- Remix: From Science to Art and Back in the Digital Age, Berkeley Big Bang 2008, June 3, 2008
- Leonardo Art Science Evening Rendezvous (LASER), May 12, 2008
- Yuri's Night Bay Area, April 12, 2008
- Leonardo Art Science Evening Rendezvous (LASER), March 10, 2008
- LEF participates in panels and events at CAA, Dallas, TX, February 20-23, 2008
- Leonardo Art Science Evening Rendezvous, January 2008
- MutaMorphosis: Challenging Arts and Sciences, International Conference, Prague, Czech Republic, 8-10 November 2007
- re:place 2007: The Second International Conference on the Histories of Media, Art, Science and Technology, Berlin, Germany, 15-18 November 2007
- Fire Art & Burning Desires, swissnex, San Francisco, 2 November 2007
- Minimal Landscapes: Exhibition and Roundtable, swissnex, San Francisco, CA, 19 September - 12 October, 2007
- ACM Siggraph Conference, San Diego, CA, 5-9 August 2007
- Disrupting Narratives symposium, Tate Modern, London, UK, 13 July 2007
- Roundtable with Eduardo Kac, Frank Popper, Frank Malina and Annick Bureaud, Paris, France, 26 June 2007
- E-Poetry Symposium: Performances and Symposium on LEA New Media Poetry Special Issue, NYC, NY, 21 April 2007
- College Art Association Conference, New York, NY, 14-19 February 2007
- Publication release party for Arts and Science Research Fellowships Special Section in Leonardo 39:5
- Society for Literature Science and the Arts Conference, New York, NY, 9-11 November 2006
- Artistic Mobility in the 21st Century, Prague, Czochoslovakia, 10 November 2006
- Expanding the Space, Meeting and Workshop on Space and Art, Valencia, Spain, October 2006
- An Ear to the Earth Festival, NY, New York, NY, October 2006
- ISEA 2006: Seven Days of Art and Interconnectivity, Aug 2006
- Pacific Rim New Media Summit, San Jose, CA, Aug 2006
- SFAI Art + Technology Salon: The Strange Destiny of Open Source in the Nation State, SFAI, April 6, 2006
- ISEA 2006 Pacific Rim Directory, Organizations and Residencies Working Group Meeting, March 2006
- Design As Seeing As Thinking, Istanbul, Turkey, February 27-March 5 2006
- College Art Association Annual Conference, Boston, MA, February 2006
- ACM Multimedia 2005 Interactive Art Program, Nov 2005
- Refresh! New Media Art History Conference, Banff Institute, Sept-Oct 2005
- SIGGRAPH 2005: Leonardo Town Hall Meeting & PRNMS Meeting
- Michele Emmer Book Signing Event, Berkeley, CA, USA, 6 June 2005
- Space Art Workshop, Switzerland, May 2005
- Space Art Workshop, Budapest, Mar 2005
- 2005 CAA Conference, Atlanta, Georgia, Feb 2005
- Space Art Workshop - Zero Gravity Consortium, Feb 2005
- Gregory Bateson Conference, Santa Clara University, CA, Nov 2004
- Roger Malina Talk at the Exploratorium, San Francisco, CA, Sept 2004
- Biennial of Electronic Arts Perth (BEAP), Australia, Sept 2004
- Melilla Symposium on Art, Science and Spirituality, Melilla, Spain, July 2004
- Space Art Workshop: Science, Technology and the Arts, Noordwijk, The Netherlands, May 2004
- The Interactive Project: Activated Environments and Hybrid Instruments Conference (at Harvestworks), New York, NY, April 2004
- College Art Association Conference, Seattle, WA, Feb 2004
- Beyond Productivity Conference, San Francisco, CA, Jan 2004
- @rt Outsiders International Festival 2003: Parabolic Flight, Paris, France, 2003
- Electroacoustic Music Conference, Paris, France
- Encoding Altruism Workshop, France, 2003
- Roy Ascott & Edward Shanken Booksigning, San Francisco, CA, 2003
- Space Art Workshop: The Collaborative Process in Space Art, Paris, France, 2002
- ISEA 2002, Nagoya, Japan, 2002
- Frank J. Malina Symposium, Texas A & M University, 2002
- Aesthetic Computing Workshop, Dagstuhl, Germany, 2002
- From "l'Aesthetics of Communication" to Net Art, 2002
- ArtSci2002: New Dimensions in Collaboration, CUNY Graduate Center, NYC, 2002
- River Festival Webcast
- Space Art Workshop: Outer Space - Cyberspace, Paris, France, 2001
- Leonardo lawsuit, 2000-2001
- Space Art Workshop: Life in Space, Paris, France, 2000
- 010101: Art in Technological Times, San Francisco, CA, 2000
- Art in the Post-biological Era Symposium, Paris, France, 2000
- Space Art Workshop: Cultural Perspectives on Space, Paris, France, 1999
- Invenção Conference, São Paulo, Brazil, 1999
- NASA Reduced Gravity Student Flight Opportunity Program, 1998
- Space Art Workshop: Space Art - Earth Art, Paris, France, 1998
- LEONARDO 30th Anniversary Celebration, 1997
- ISEA 1997, Chicago, IL, 1997
- Consciousness Reframed, CAiiA, University of Wales, UK, 1997
- Space Art Workshop: The Artist as Space Explorer, Paris, France, 1997
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8 September 2008
Leonardo Art Science Evening Rendezvous (LASER)
SFSU Downtown Center, 835 Market Street, 6th Floor
San Francisco, CA
LASER is a bimonthly series of lectures and presentations organized by Piero Scaruffi on behalf of Leonardo/ISAST
6:00pm-6:30pm: Socializing/networking
6:45-7:15pm: Thomas Zimmerman IBM Almaden Research Center, on "Music as the Mother of Invention"
Many of my inventions started as input devices for musical instruments. The DataGlove was a means to play air guitar. The Personal Area Network was a means to play air drums. I shall discuss the development of input devices for electronic musical instruments and how they contributed to inventions.
7:15-7:45pm: William Hsu and Matt Heckert of the Multimedia & Visualization Lab at SFSU on "Sound Machines and Computer Control"
An overview of several mechanical sound installations and performances they have collaborated on over a 5 year period: the Rotifiers/Centripetal Sound, the Fencers, and the Chainboxes.
7:45-8:00pm: Break
8:00-8:20pm: Sharon Siskin, of WEAD
Over the past 20 years my studio art has had clear and sometimes subtle overlaps with science. Some recent projects make visual the detritus our family produces in the process of raising twin daughters. I will be showing documentation of a variety of recent and past gallery projects; from work that resulted in the creation of a garden at an AIDS hospice, to installations that combined reused, altered X-rays and scientific paraphernalia to address issues related to food and my ethnic identity, loss, memory and healing.
8:20-8:40pm: Deborah Munk, of the San Francisco Dump
An overview of the Artist in Residence Program at SF Recycling & Disposal and will focus on a few of the 70 artists who have had residencies. I will also discuss recycling, the Eastern Pacific Garbage Patch and sustainability.
8:40pm: Piero Scaruffi on the next Leonardo Art/Science evening
8:45-9:45pm: Discussions, more socializing
To receive mailings about upcoming LASER events, email isast@leonardo.info
For more information, see: http://www.scaruffi.com/leonardo/july2008.html
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14 August 2008
Leonardo Education Forum at SIGGRAPH 2008
Los Angeles Convention Center, Room 507
Los Angeles, CA
Members of the Leonardo Education Forum met for a Birds of a Feather meeting to discuss issues related to Leonardo Education Forum. Afterwards there was a party hosted by LEF member (and LABS Director) Sheila Pinkel.
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27-30 July 2008
Leonardo Education Forum at ISEA 2008
Nanyang Technological University's School of Art, Design
and Media, Singapore.
Sunday, July 27, 2008 At the Crossroads of Media Arts and Science and Technology:
Education in the 21st Century - What is to be done?
Nanyang Technological University's School of Art, Design
and Media, Singapore.
Discussion of the white paper draft initiated at LEF@re:place2007
in Berlin, edited by Michael Century, Daniela Reimann and Nina Czegledy.
Schedule: following short opening statements, we would like to briefly
introduce the LEF international network and discuss the concept and
development of regional networks focused on local issues and context.
We propose to spend the first hour on feedback of the white paper draft
and identification of key areas for discussion. We suggest to break out into
moderated discussion groups on each subject. The final hour is for conclusions
and concrete recommendations.
Wednesday, July 30, 2008
Special Event at the Singapore Science center:
Art Science exchange, mixer, show and launch
In this informal gathering, UCLA Art | Science center director
Victoria Vesna presents the concept, research and work of the recently
established center housed in two locations -- Broad Art center and the
California NanoSystems Institute (CNSI). She is joined by
astrophysicist Roger Malina, executive director of Leonardo journal and
co-chairs of the Leonardo Education Forum, Andrea Polli and Nina
Czegledy. Together they will discuss some of the most recent
activities, challenges and opportunities that this internationally
oriented organization is involved in. After this, Victoria will lead a
tour of the NANO exhibition she co-created with nanoscientist James
Gimzewski, followed by a tea reception mixer where ideas and contacts
will be exchanged and the launch of the Filter magazine published by
the Australian Network for Art and Technology (ANAT). The edition will
be on Interdisciplinarity -- specifically as such a practice relates to
art and science collaborations.
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14 July 2008
Leonardo Art Science Evening Rendezvous (LASER)
SFSU Downtown Center, 835 Market Street, 6th Floor
San Francisco, CA
LASER is a bimonthly series of lectures and presentations organized by Piero Scaruffi on behalf of Leonardo/ISAST
6:00pm-6:30pm: Socializing/networking
6:45-7:15pm: Joaquin Alvarado, Director of SFSU's Institute for
Next Generation Internet, on "Economies of Representation and the Rise
of Transactional Identity"
Converging platforms and persistent user interactions on the
network have created a new tension in communities and communication.
Individual agency is now being applied as a quantifiable transaction in
the evolving event-horizon of ubiquitous computing. As users continue to
deploy mediated actions in abstracted media forms they are inevitably
engaging in negotiations with automated agents. This creates a friction
point that will deliver the new economics of identity.
7:15-7:45pm: Amy Ione, Director of the Diatrope Institute, on "Art
and the Brain"
Art practice and appreciation are generally considered products
of human culture, rather than areas for scientific investigation. Yet,
perhaps because art that is quintessentially exquisite speaks so deeply
to us, it is difficult to see human culture as a map for one1s
individual experience with art. Now, with the explosion of brain
research on cognition, perception, and sensation we are beginning to
explore the nature of art in ways that include neurobiological and
neuropsychological questions.
7:45-8:00pm: Roger Malina, CNRS Marseille, on Leonardo ISAST's
worldwide activities
8:00-8:20pm: Robert Rich, Electronic and Digital Composer, on
"Microtonal Music and Just Intonation"
A brief introduction to the use of tuning systems based upon
ratios, focusing on musical examples and audio demonstrations, with just
a bit of history and not much math.
8:20-8:40pm: Lynette Cook, Artist, on "Art and the Cosmos"
Known especially for her collaborations with Geoff Marcy and
other exoplanet discoverers, Cook has painted many planet portraits,
from those of our own solar system to those orbiting other stars. She
will explain how she knows what these distant bodies look like.
8:40pm: Piero Scaruffi on the next Leonardo Art/Science evening
8:45-9:45pm: Discussions, more socializing
To receive mailings about upcoming LASER events, email isast@leonardo.info
More information, see: http://www.scaruffi.com/leonardo/july2008.html
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3 June 2008
Remix: From Science to Art and Back in the Digital Age Berkeley Big Bang 2008
Co-hosted by Leonardo/ISAST and the Berkeley Art Museum
Berkeley Art Museum/Pacific Film Archive
2621 Durant Street, Berkeley CA 94720
3 June 2008
Berkeley Big Bang 2008 was a three-day symposium and festival of new media and art hosted by the Berkeley Art Museum and Pacific Film Archive and the Berkeley Center for New Media. Leonardo/ISAST hosted a full day of panels and events on Sunday, June 3rd, including an exhibition of student artwork, organized by Piero Scaruffi.
"Remix: From Science to Art and Back in the Digital Age"
Schedule of events:
8:30: Registration and Check-In.
9:00: Introduction: 40 Years of Leonardo, by Steve Wilson, Leonardo Board Member, Author of Information Arts, Professor of Conceptual/Information Art at San Francisco State University
9:30-10:30: Osmosis: What Can the Arts do for the Sciences?
Art-Science interaction is a two way process. The impact of science and technology on the arts is much discussed and well documented. This panel seeks to examine the influence of the arts on the sciences, and the benefits that science can derive from the arts.
- Bronac Ferran, Writer, Researcher, Instructor at Royal College of Art in London, Past director of the Interdisciplinary Arts at Arts Council England
- Melinda Rackham, Executive Director of the Australian Network for Art and Technology
- Jim Crutchfield, Complexity and Chaos Researcher, Professor of Physics at UC Davis, Co-founder and Scientific Director Art and Science laboratory
- Chris Chafe, Composer, Duca Family Professor at Stanford University, Director Center for Computer Research in Music and Acoustics
11:15-12:45: Brilliant Noise: How Data Becomes Experience for Artists and Scientists
Most information about the world we live in is now mediated by instruments. This data is often visualised and sonified both to aid analysis and to communicate with other researchers, but artists too can make this data meaningful and "sensual". The same data sets can lead to very different kinds of work. One person's noise is another person's sound.
- Camille Utterback, Interactive Video Artist, Inventor, and Founder of Creative Nerve
- Laura Peticolas, Geophysical Researcher at Space Sciences Lab, UC Berkeley
- Douglas Kahn, Auditory and Sound Culture Historian, Director of Technocultural Studies, UC Davis
12:45-1:45: Lunch Break
2:00-3:30: The New Sensuality: Epistemologies of the Very Very Small
Human cognition is bounded by the inadequacy of human senses to allow us sensory contact with the world on scales larger or smaller than ourselves. To perceive the nano world one needs extended senses or new senses. The nano world requires a new ontology and a new epistemology.
- Ruth West, New Media artist, Director Visual Analytics and Interactive Technologies National Center for Microscopy and Imaging Research Center, University of California, San Diego
- Wayne Lanier, Microbiologist, San Francisco Exploratorium
- Jennifer Frazier, Project Director of the Visualization Laboratory, San Francisco Exploratorium
3:30-5:00: Closing event of the two-day conference for the audience to mingle with the speakers of the various panels and with Leonardo board members. Winners of the first Leonardo Art/Science Student Contest were presented.
More information about Berkeley Big Bang 2008: http://bampfa.berkeley.edu/events/education/bigbang
Watch video podcasts of the symposium on the UC Berkeley website.
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12 May 2008
Leonardo Art Science Evening Rendezvous (LASER)
SFSU downtown San Francisco, CA
LASER is organized by Piero Scaruffi on behalf of Leonardo/ISAST
6:00pm-6:30pm: Socializing/networking
6:30-6:45: Welcome by Jeff Babcock (Executive Director of the International Center for the Arts, SFSU, and Leonardo ISAST board member)
and Piero Scaruffi
6:45-7:15: Ken Goldberg, Director of the Berkeley Center for New Media on "Robots as Naturalists" Ken will present experiments and questions raised by robots and social networks, ranging from ouija boards to human "tele-actors," and tell a true story about how invasions of privacy led him and his students to investigate how robots can assist in monitoring the natural environment. he'll describe a robotic system they've deployed to assist the search for the ivory billed woodpecker, a bird of extreme interest to birdwatchers, ornithologists, and conservationists whose last confirmed sighting was in 1944. ken will also present the manifesto of the berkeley center for new media and propose a hopefully controversial definition of "media."
7:15-7:45: Carlo Sequin on "Knotty Sculptures" This presentation explores the use of simple knots as constructivist building blocks for abstract geometrical sculptures. One approach places simple n-foil knots on the n-sided faces of a Platonic or Archimedean polyhedron. Another investigation explores various generating principles for the construction of recursive knots. For instance, a simple crossing of two strands is replaced with a more complicated tangled version of two strands, and the process is then repeated recursively. A few of these designs conceived on a computer are then developed further to make actual 3D models on various rapid prototyping machines.
7:45-8:00: Richard Rinehart, Curator of the Berkeley Art Museum, on the forthcoming UC Berkeley "Big Bang" conference
Berkeley's New Media Center and Leonardo ISAST are organizing a two-day academic conference to be held in June 2008 at the Berkeley Museum. Richard Rinehart, Curator of the Berkeley Museum, will present the Berkeley day of the conference (first day of the conference).
8:00-8:20: Kris Paulsen, grad student at Berkeley Center for New Media on "Participation TV".
Kris will examine a sequence of projects from the 1960s to the present in which artists have worked to reverse the unidirectional structure of broadcast television. These artists feed back into the networks by disrupting broadcasts, "hijacking" programs through pseudo-events and hostile takeovers, and by developing their own multi-directional systems that challenge the television viewer's traditionally passive role. By exploiting the potential for liveness on television news, CCTV, and public access, the artists addressed in this talk attempt to put viewers into direct contact with the event and with the others who are watching - the network becomes a crowd.
8:20-8:40pm: Trevor Paglen of the Department of Geography University of California at Berkeley on "The Other Night Sky"
Artist/geographer Trevor Paglen will talk about his recent project to track and photograph 189 classified "moons" (reconnaissance satellites) in Earth orbit. Along the way, he introduces us to an international network of satellite observers, tracks the history of two "stealth" satellites, and contemplates the relationship between classical empiricism and democracy.
8:45pm-9:45: Discussions, more socializing
http://www.scaruffi.com/leonardo/may2008.html
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12 April 2008
Yuri's Night Bay Area 2008
NASA Ames Moffett Field, CA
Leonardo Network members were in attendance at Yuri's Night Bay Area 2008. Yuri's Night is a celebration of space exploration—and mankind's curiosity, scientific ingenuity, technical achievements, and spirit of collaboration that have made it all possible. In 2008, NASA’s 50th anniversary, the Bay Area was home to the largest Yuri’s Night celebration ever, with 8,000 people joining astronauts, artists, scientists, engineers, and musicians to pay tribute to our global space heritage and to celebrate how much more is out there to be discovered!
More information: http://yurisnightbayarea.net/2008/
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March 10, 2008
Leonardo Art Science Evening Rendezvous (LASER)
SFSU downtown San Francisco, CA
LASER is organized by Piero Scaruffi on behalf of Leonardo/ISAST
6:00pm-7:00pm: Socializing/networking
7:00-7:30: Tami Spector of USF on "Chemistry and Contemporary
Visual Art"
Relative to physics, mathematics, and biology the intersections
of chemistry and contemporary visual art have been relatively neglected.
In this talk I will explore some of the ways that modern and
contemporary artists have explored this connection, focusing on how the
visual arts share unique material and conceptual aspects with chemistry.
Specific works by artists who self-define their art in relation to
chemistry and others whose work can be recontextualized through the lens
of chemistry will be discussed. See also this page.
7:30-8:00: Diane Gromala of Georgia Institute of Technology.
8:00-8:10: Piero Scaruffi on the Leonardo Day of the "Big Bang"
conference
Berkeley's New Media Center and Leonardo ISAST are organizing a
two-day academic conference to be held in June 2008 at the Berkeley
Museum. I will briefly remind the audience of this conference and
specifically of the program for the Leonardo day (second day of the
conference). At the next Leonardo event on May 12 Richard Rinehart,
Curator of the Berkeley Museum, will present the Berkeley day of the
conference (first day of the conference).
8:10-8:30: Kathelin Gray on "Organic Realism"
The Institute of Ecotechnics (I.E.) was founded in the '70's with
the premise that action and interaction promote learning and creativity.
Annual conferences, projects in different ecological zones worldwide, in
conjunction with scientific and artistic collaborations, have resulted
in a network of people and efforts. The focus of this presentation will
be the role of the arts and performance and the concept of organic
realism, in such efforts.
8:30-8:50: Sharon Daniel on "Public Secrets"
The injustices of the Prison Industrial Complex are public
secrets - secrets that the public chooses to keep safe from itself like,
"don't ask, don't tell." Public Secrets provides an interactive
interface to an audio archive of hundreds of statements made by current
and former prisoners, which unmask the secret injustices of the war on
drugs, the criminal justice system and the prison industrial complex.
Visitors navigate a multi-vocal narrative that links individual
testimony and public evidence, social theory and personal statements, in
an effort to challenge the assumption that imprisonment provides a
solution to social problems. Artist and Author Sharon Daniel will
present this Webby award honored project and discuss the process of
gathering and structuring the content for the internet.
9-9:45pm: Discussions, more socializing
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February 20-23, 2008
LEF Participates in 2008 College Art Association Conference
Adam's Mark Hotel Dallas, TX
The 96th Annual Conference of the College Art Association happened February 20–23, 2008, in Dallas, TX. The Leonardo Education Forum (LEF) held a business meeting, participated in a Professional Development Roundtable and presented Social Fabrics: a wearable technology fashion show.
LEF Business meeting
Wednesday, February 20th, 5:30-7PM
Adam's Mark Hotel, Dallas Ballroom D3, 1st Floor
Professional Development Roundtable Thursday, February 21, 12:30–2:00PM
Adam's Mark Hotel, Remington Room, 4th Floor.
Social Fabrics: a wearable technology fashion show
Friday, February 22nd, 5:30-7PM
Adam’s Mark Hotel, Remington, 4th Floor
More about Leonardo Education Forum: http://artsci.ucla.edu/LEF/
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January 2008
Leonardo Art Science Evening Rendezvous (LASER)
SFSU downtown San Francisco, CA
LASER is organized by Piero Scaruffi on behalf of Leonardo/ISAST
Feature presentations by Roger Malina, David Stork, Joel Slayton, Douglas Kahn, Laura Peticolas and Wayne Lanier
For more information visit: http://www.scaruffi.com/leonardo/jan2008.html
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8-10 November 2007
MutaMorphosis: Challenging Arts and Sciences, International Conference
Prague, Czech Republic
8-10 November 2007
An international Conference organised by CIANT as part of the ENTER festival in the framework of the Leonardo 40th anniversary celebrations which will explore the major mutations that are affecting the future of our world. The festival will feature also the first retrospective exhibition of Frank J. Malina.
MORE INFORMATION about MutaMorphosis
Join us on November 11, 2007 for Leonardo Day

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15-18 November 2007
re:place 2007: The Second International Conference on the Histories of Media, Art, Science and Technology
Berlin, Germany
November 2006
re:place 2007, the Second International Conference on the Histories of Media, Art, Science and Technology, will take place in Berlin from 15 - 18 November 2007 as a project of Kulturprojekte Berlin GmbH in cooperation with Haus der Kulturen der Welt. This conference is a sequel to 'Refresh!', the first in this series, chaired by Oliver Grau and produced by the Database of Virtual Art, Leonardo, and Banff New Media Institute, and held at the Banff Center in Canada in September 2005, which brought together several hundred artists, scientists, researchers, curators and theoreticians of different disciplines.
MORE INFORMATION about re:place 2007
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2 November 2007
Fire Arts & Burning Desires
swissnex San Francisco
730 Montgomery Street, San Francisco, CA 94111
2 November 2007
In a collaboration between Burning Man, Leonardo journal and swissnex San Francisco, an evening symposium titled Fire Arts & Burning Desires included several Burning Man fire artists, who discussed the use of their work with fire as a creative medium.
From pyrrhic highlight to transcendent interaction, when is fire an appropriate part of a sculptural statement? How do we use fire in a safe way for both the artist and the audience? Audience members learned about the behind the scenes gyrations of previous Burning Man fire art spectacles.
Fire Arts & Burning Desires was hosted by swissnex San Francisco and presented by Burning Man and Leonardo journal, who collaborated in publishing an exclusive collection of essays and photographs on the Fire Arts of Burning Man (Leonardo Volume 40 Issue # 4, 2007).
Speakers included Crimson Rose (The Fire Goddess), The Flaming Lotus Girls, (TBA), Bill Codding (The Burninator), Wally Glenn (The Flaming Zen Garden), Lucy Hosking, (Satan's Calliope) and DaveX, who will discussed the safety parameters of working with fire in an artistic way
This event was hosted by swissnex San Francisco and organized by Louis M. Brill (louisbrill@sbcglobal.net)
visit the swissnex website
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19 September - 12 October, 2007
Minimal Landscapes: exhibition and roundtable
swissnex, San Francisco
19 September - 12 October, 2007
Minimal Landscapes: An exhibit of the work of Ariel Ruiz i Altaba
Wednesday, September 19th to Friday, October 12th, 2007, (open 11AM - 5PM)
"Boundaries and Meaning in Landscapes: From Science to Art and Back" moderated by Leonard Shlain
Wednesday, September 19th (registration required)
This event is co-sponsored by the Leonardo Scientists Working Group.
MORE INFORMATION and how to register for the roundtable discussion
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5-9 August 2007
ACM Siggraph Conference
San Diego, CA, USA
5-9 August 2007
Leonardo Education Forum hosted two panel sessions in honor of Leonardo's 40th anniversary and a Birds of a Feather (Town Hall) meeting at Siggraph 2007.
The World Has Changed: The Leonardo Network After 40 Years
Panel I: The Planet Has Changed: Art, Environment, and Sustainable Development
Tuesday, August 7, 2007
Time: 9 AM - 10:45 AM
Room 30 A
Human societies face a number of important issues related to the problems of sustainable development, environmental change, and climate change. Many artists have been involved in these issues over the last decades within the environmental and green movements. A new generation of artists, scientifically and technically literate, is engaging in new ways. The new planetary information-technology infrastructures and new-media technologies provide different approaches than were possible 40 years ago.
Moderator
Sheila Pinkel
Pomona College
Panelists
Roger Malina
Leonardo, The International Society for the Arts, Sciences and Technology
Andrea Polli
Director Integrated Media Arts, Hunter College
Mike Phillips
University of Plymouth
Panel II: Artists Have Changed: Art, Science, Technology Interaction
Tuesday, August 7, 2007
Time: 11 AM - 12:45 PM
Room 30 A
When Leonardo was founded 40 years ago, the theoretical context was the "two cultures" debate of C.P.Snow. Few artists were trained in science or engineering contexts, and access to new technologies drove a number of initiatives such as the E.A.T. programs and the MIT Center for Advanced Visual Studies, and new venues such as the SIGGRAPH Art Gallery, Ars Electronica, and ZKM. A new generation of artists, born digital and scientifically literate, is now radically altering the way these issues will be addressed in the future. This panel provides a 40-year perspective on how the work of artists and institutions has evolved, new trends, and future directions.
Moderator
Michael Naimark
University of Southern California
Panelists
Roger Malina
Leonardo, The International Society for the Arts, Sciences and Technology
Stephen Wilson
San Francisco State University
Eddie Shanken
Savannah College of Art and Design
Anna Ursyn
University of Northern Colorado
Birds of a Feather meeting
San Diego Convention Center
Room 29B
Tuesday, August 7, 2007
3 - 5 pm
Chair: Eddie Shanken
ACM Siggraph Gallery: Global Eyes
Leonardo/ISAST also collaborated with the SIGGRAPH 2007 Art Gallery to build bridges between people working creatively in art, science, and technology all around the world.
MORE INFORMATION about the ACM Siggraph 2007
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13 July 2007
Disrupting Narratives
Tate Modern, Starr Auditorium, London, UK
13 July 2007
10AM-6:30PM
Leonardo Book Series authors Mark Amerika and Alex Galloway gave keynote addresses at the
Tate Modern, London, UK for
the "Disrupting
Narratives" symposium. Amerika's morning session keynote lecture
titled "Remixology,
Hybridized Processes, and Postproduction
Art: A Counternarrative" was
be made in conjunction with
the release of his new book META/DATA:
A Digital Poetics (MIT Press, Leonardo Book Series,
2007). Alex Galloway's keynote
address in the afternoon sesion: "Counter-Protocol" explored
themes addressed in his book Protocol: How Control
Exists after Decentralization (MIT Press, Leonardo
Book Series, 2004).
For more information on META/DATA and Protocol, visit
the Leonardo Book Series website.
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26 June 2007
Roundtable: "The Art-Science-Technology Relations
as seen through the Leonardo Book Series at MIT Press"
Ensba Paris Art School
14 rue Bonaparte 75006,
Conference Room 1st Floor,
Paris, France
6-8PM
26 June 2007
Participants: Roger Malina, Frank Popper (From Technological to Virtual Art), Eduardo
Kac (Signs of Life: Bio Art and Beyond) and moderator Annick Bureaud.
This round table questioned the art, science, technology
relations as seen through the Leonardo Book Series at MIT
Press. Eduardo Kac and Frank Popper presented their books
and points of view on the role and issues of publishing for
new artforms.
When new artforms emerge what role do artists play with
their theoretical books in creating a public space for
discussion?
What are the connections between artworks and books in the
body of work of an artist?
What discourses and approaches on technoscientific art are
emerging from the Leonardo Book Series?
What are the aesthetical, theoretical and historical issues
within this collection and more specifically within the two
books that will be presented and discussed?
Watch a video of the event (in French): http://web.cast.free.fr/leonardo-01/leonardo1.html
For more information on the books, visit the Leonardo Book Series website.
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21 April 2007
E-Poetry Symposium 2007
NYC: Performances And A Symposium on the LEA New Media Poetry Special
Issue
New York, NY
21 April 2007
4:00-6:00PM
Segue Reading Series at the Bowery Poetry Club,
308 Bowery at Bleecker, New York City
Event Guest-Curated by Loss Pequeño Glazier.
Featuring Aya Karpinska, Elizabeth Knipe, and Jim Rosenberg. Shawn Rider,
Respondent. Tim Peterson, Series Curator
Live performances, talks, and discussion about New Media art forms,
issues, and poetics in a cordial setting. Poetry is on the move ...
catch a glimpse of present poetic forms in action! This event seeks to
further conversation about poetics through its sampling in digital
forms. Join us for an historic presentation of digital poetics featuring
an engaging mix of foundational and emerging digital poets!
About the participants
Aya Karpinska (http://technekai.com) is a
digital media artist and interaction designer. She is the 2006 recipient
of the prestigious Brown University Fellowship in Electronic Writing.
Elizabeth Knipe (http://www.dreamdilation.com/)
is an engaging interdisciplinary artist. She is digital poet and
experimental video artist who entertains an interest in physical
electronic installations.
Jim Rosenberg (http://www.well.com/user/jer) has been working in
non-linear poetic forms in one medium or another since 1966 and is one
of the foundational figures in digital poetry. His best-known work is
Intergrams.
Shawn Rider (http://www.shawnrider.com/)
is a writer, artist, teacher and programmer, currently working as a Web
Technologist for PBS TeacherLine. He is also the owner and Editor in
Chief of GamesFirst.com, a long-running independent videogame review
website.
Loss Pequeño Glazier (http://epc.buffalo.edu/authors/glazier) is a
digital poet, professor of Media Study, and Founder and Director of the
Electronic Poetry Center. He is the author of the digitally-informed
poetry collection /Anatman, Pumpkin Seed, Algorithm / (Salt Press) and
the digital theory treatise Digital Poetics: The Making of E-Poetries
(Alabama UP).
Tim Peterson (http://mappemunde.typepad.com/) is the author of Since
I Moved In (Chax Press). He edits EOAGH: A Journal of the Arts and
currently curates part of the Segue Reading Series in New York.
About the LEA issue
Guest edited by Tim Peterson, the issue features Loss Pequeño Glazier,
John Cayley with Dimitri Lemmerman, Lori Emerson, Phillippe Bootz,
Manuel Portela, Stephanie Strickland, Mez, Maria Engberg and Matthias
Hillner. Don't forget to scurry over to the equally exciting gallery,
exhibiting works by Jason Nelson, Aya Karpinska, Daniel Canazon Howe,
mIEKAL aND, CamillE BacoS, Nadine Hilbert and Gast Bouschet. Click here
to access the LEA New Media Poetics Special
http://leoalmanac.org/journal/Vol_14/lea_v14_n05-06/index.asp (LEA Vol
14 No 5 - 6). URL:
http://leoalmanac.org/journal/Vol_14/lea_v14_n05-06/index.asp
Join us on April 21st for this celebration of LEA, the poetics of the
present, and the diversity of digital forms!
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14-19 February 2007
2007 College Art Association Conference
New York City, NY
14-19 February 2007
The Leonardo Education Forum participated in the 95th annual College Art Association Conference in New York City. LEF-sponsored events and activities included the special session Ecology and Ethics of Art|Science projects chaired by Victoria Vesna, a Leonardo Business meeting and a special exhibition Lines of Flight at Hunter College.
MORE INFORMATION about Leonardo Education Forum
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January 2007
Publication release party for Arts and Science Research Fellowships
Special Section in Leonardo 39:5
Jerwood Space
171 Union Street
Bankside
SE1 0LN
UK
6:30-8:30PM (speeches at 7PM)
Arts Council England and the Arts and Humanities Research Council
celebrated, with a reception, the publication of
'Arts and Science Research Fellowships'
A special section in Leonardo, Volume 39, Number 5
guest co-edited by Bronac Ferran, James Leach and Tony White.
See the Table of Contents for Leonardo 39:5
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9-12 November 2006
Society for Literature, Sciences and the Arts (SLSA) Conference
New York City, NY
The Leonardo Education Forum presented the panel New Media Futures: The Artist as Researcher and Research as Art in the 21st Century at the 2006 meeting of the Society for Literature, Sciences and the Arts (SLSA), November 9-12, 2006 in New York City.
MORE INFORMATION about Leonardo Education Forum
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10 November 2006
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4-6 October 2006
Expanding the SpaceMeeting & Workshop on Space & Art
October 4-6, 2006
Octubre Centre de Cultura Contemporània
Universitat Internacional Menéndez Pelayo Palau de Pineda (Sala 5)
Pl. del Carme, 4 - 46003 València
tel. +34 96 385 98 00
Night performances:
Jardí Botànic de València
C/ Quart, 80
46008-València
Organized by Octubre Centre de Cultura Contemporània with Association Leonardo/Olats.
In conjunction with the 57th International Austronautical Congress in Valencia, Spain, the Octubre Center of Contemporary Culture and Leonardo/OLATS organized a meeting for the local and international artistic and scientific communities in order to discuss current issues related with space and the arts.
The main objectives of these meeting were:
1. Learn about and understand the hot issues from a scientific perspective and promote a debate in which other communities may be involved.
2. Meet the scientists interested in the intersection of science and art.
3. Gather, display and catalyze all the artistic works born under this intersection which are focused on space.
Organizing committee:
-Annick Bureaud, art critics. Association Leonardo/Olats
-Roger Malina, astronomer. Association Leonardo/Olats
-Josep Perelló, physicist. University of Barcelona
Advisory committee:
-Vicent Martìnez, director of the University of Valencia Astronomical Observatory.
-Seth Shostak, astrobiologist. SETI Institute
-Bernard Foing, scientist-in-chief of the European Space Agency (ESA).
-Salomé Cuesta. Laboratorio de la Luz, Fine Arts Department (Polytechnic University of Valencia).
-Jean-Luc Soret, curator of Space Art exhibition.
-Julien Knebusch, hystorian and specialist in climate change.
PROGRAM
1. Workshop: from the 2nd to the 6th of October. Multidisciplinary meeting of Valencian and international students, educative workshop and visits to some different scientific locations in the city of Valencia, such as the Astronomical Observatory or the Robotics Laboratory. Selection of a few number of applications
2. Congress.
Wednesday, October 4th
16h: Reception and accreditation of all the participants.
17h: Greeting from the Organizing Committee.
17.30h: Inaugural conference by Dr. Khalil Chamcham, Astronomy and Astrophysics professor in the Sciences Aïn Chock Department (University of Hassan II, Casablanca, Morocco).
19h: Openning of the exhibition by the photographer Joan Fontcuberta.
20h: Performance of the composer Andreu Jacob. Absolute premiere of his work titled "Big Bang Sounds".
Thursday, October 5th
9h: The climate change and its effects seen from outside. Conference offered by a speaker chosen by Leonardo/Olats.
10.30h: Contributions on the same subject.
12h: Zero gravity: the sensorial experience of parabolic flights. Conference by a speaker chosen by Leonardo/Olats.
16h: Contributions on the same subject.
17.30h: Colonialism vs. exploration. Conference by Bernard Foing (ESA).
19h: Contributions on the same subject.
20.30h: Performance of Marcel lì Antúnez, on zero gravity.
Friday, October 6th
9h: Cultural impact of Space Sciences. Conference by Seth Shostak, SETI Institute.
10.30h: Contributions on the same subject.
12h: Connection of the computers of the OCCC to the SETI project.
16h: Conclusions by the Organizing Committee. Special contribution by Roger Malina
17.30h: Presentation of the conclusions from the workshop.
23h: Closing party.
Other parallel activities:
- Presentation of the multimedia program by Inklude.
- Exhibition on-line
Contact Leonardo/OLATS Director, Annick Bureaud: info@olats.org
Visit the IAC official website
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6-15 October 2006
An Ear to the Earth: A Festival of Music, Sound and Ecology
New York City, NY
Co-sponsored by Leonardo/ISAST
An Ear to the Earth is an international festival bringing together work by creators from around the world - composers, sound and installation artists, scientists, naturalists, and environmentalists - exploring the interaction of humans, sound, and the environment. The recognition that our interaction with our environment, both natural and man-made, is a crucial issue of our time has inspired composers and artists to respond with an enormous and compelling body of works. This festival brought a sampling of those works into galleries, concert halls, and public spaces throughout New York City to explore the use of sound to know the world and engage people in environmental awareness.
The festival was conceived by Electronic Music Foundation (EMF) and organized in collaboration with the UNESCO DigiArts Portal, World Forum for Acoustic Ecology, New York City Audubon, New York University Music Technology Program, New York Society for Acoustic Ecology, The Acoustic Ecology Institute, and Leonardo/ISAST.
MORE ABOUT THIS FESTIVAL
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7-13 August 2006
ISEA 2006: Seven Days of Art and Interconnectivity
San Jose, CA, USA
The Inter-Society for Electronic Arts (ISEA) is an international non-profit organization fostering interdisciplinary academic discourse and exchange among culturally diverse organizations and individuals working with art, science and emerging technologies. The ISEA Symposium is an international conference on electronic art that is held every two years in different locations around the world and attracts attendees from over 50 countries. The Thirteenth International Symposium on Electronic Arts was held in San Jose, California, August 7-13, 2006, in conjunction with the inaugural biennial ZeroOne San Jose: A Global Festival of Art on the Edge, a milestone festival to be held biennially.
ISEA2006 focused on the critical, theoretical and pragmatic exploration of four important themes: Transvergence, Interactive City, Community Domain and Pacific Rim.
What tactics, issues and conceptual practices expose or inform the distinctions of these subject terrains relating to contemporary art practice? What analyses illuminate art practice engaged with new technical and conceptual forms, functions and disciplines; provide for innovative tactical implementations of cultural production involving urbanity, mobility, community and locality; examine the roles and responsibilities of corporations, civic and cultural organizations, discuss strategic and economic planning as it relates to creative community; serve to expose new portals of production and experience; provide for interpretive bridges between cultures and identities; and provide for provocative examination of contemporary political and economic conditions? How is new media art practice re-shaping the world?
More information on the ISEA 2006 website
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7-8 August 2006
Pacific Rim New Media Summit
San Jose, CA, USA Co-sponsored by CADRE Laboratory and Leonardo/ISAST
As the 10th largest city in the United States, San Jose is an important portal on the Eastern edge of the Pacific region, which shares deep historical and cultural connections that range from Latin America, the South Pacific, Southeast Asia to Asia. ZeroOne San Jose: An International Festival of Art on the Edge highlighted the Pacific Rim as a central theme by presenting the most significant achievements in art, theory and research from throughout the region.
The CADRE Laboratory for New Media at San Jose State University hosted a two-day pre-symposium to ISEA 2006 entitled the Pacific Rim New Media Summit co-sponsored by Leonardo. The Summit explored and built interpretive bridges between institutional, corporate, social and cultural enterprises with an emphasis on the emergence of new media arts programs in 7 areas: Creative Community, Curatorial, Education, Directory, Eco-Social Activism, Mobile Computing and Urbanity, and Latin American - Pacific / Asia New Media.
Pacific Rim New Media Summit Working Groups:
- Distributed Curatorial (Co-chairs: Steve Dietz and Cunalan Nadarajan)
- Education (Co-chairs: Rob van Kranenburg, Gustaff H. Iskandar and Fatima Lasay)
- Place, Ground, and Practice (Chair: Danny Butt)
- Urbanity and Locative Media (Chair: Soh Yeong Roh)
- Latin American-Pacific/Asia New Media Initiatives (Chair: Jose-Carlos Mariategui)
- Residencies, Symposia, and Directories (Co-chairs: Nisar Keshvani and Julianne Pierce)
- Piracy and the Pacific (Chair: Steve Cisler)
- The Invisible Dynamics of the Pacific Rim and the Bay Area (Co-chairs: Susan Schwartzenberg and Peter Richards)
Symposium Website: http://01sj.org/content/blogcategory/69/87/
Leonardo 39:4 was published as a companion to the Pacific Rim New Media Summit and includes essays by many of the participants of the summit.
MORE INFORMATION about the Pacific Rim New Media Summit and special issue
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6 April 2006
SFAI Art + Technology Salon: The Strange Destiny of Open Source in the Nation State
Co-sponsored by Leonardo and The San Francisco Art Institute Center for Media Culture
Raqs Media Collective and Steve Cisler
Thursday, April 6, 2006, 7 P.M.
San Francisco Art Institute Café
800 Chestnut Street
San Francisco, CA 94133
Leonardo, The International Society for the Arts, Sciences and Technology, co-sponsored with the San Francisco Art Institute Center for Media Culture a lively evening salon with the Raqs Media Collective and Steve Cisler. During the event the Raqs Media Collective initiated a discussion on the
topic of "The Strange Destiny of Open Source in the Nation State" accompanied by a presentation on intellectual property issues by San Jose based writer and librarian Steve Cisler. The salon consisted of short 20-minute presentations followed by an "open mic" and a
lively Q&A.
The Raqs Media Collective (Monica Narula, Jeebesh Bagchi, Shuddhabrata Sengupta) from Delhi, India, investigates the technological forms that underwrite contemporary urban experiences and the social practices through which the city is acted upon and imagined. The collective is the co-initiator of Sarai: The New Media Initiative, a program of interdisciplinary research and practice on media, city space and urban culture. Currently acting as Spring 2006 Fellows for the SFAI Center for Media Culture, the Raqs Media Collective intersected with several of SFAI's degree, community education and public programs. At the April 6 salon, Raqs initiated a discussion on the topic of "The Strange Destiny of Open Source in the Nation State."
Steve Cisler is a librarian by training who began using computers when he was middle-aged. Starting in 1985 Cisler ran a WELL forum on information and libraries. In 1988 at Apple Computer library he started a grant program called Apple Library of Tomorrow, through which he made dozens of grants to U.S. and Canadian museums and libraries. Cisler worked on the de-regulation of the radio frequencies and standards that became known as 802.11 or Wi-Fi. Over the past 7 years Cisler has consulted in Latin America, Thailand, Jordan and Uganda on short-term projects involving telecenters, school computer labs and indigenous groups. Cisler is Chair of the "Piracy and the Pacific Working Group" at the upcoming Pacific Rim New Media Summit, a pre-symposium to ISEA2006. Cisler gave a presentation at the April 6 salon on intellectual property issues.
San Francisco Art Institute's Center for Media Culture links artistic practice and the study of culture. Students explore the ways in which different media, including film, video, photography, sound and technology, shape-and are shaped by-concepts of identity and community. The Center offers students opportunities to foster agility in their artistic practice through the study of the cultural and aesthetic shifts that characterize diverse societies. The results are technically informed media practitioners and comprehensive critical thinkers prepared for a broad variety of career and artistic opportunities.
Design+Technology Salon: http://www.sfai.edu/design/salon
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3-19 March 2006
ISEA 2006 Pacific Rim Directory, Organizations and Residencies Working Group Meeting
Artists' Week/Media State, Adelaide Festival of Arts 2006, South Australia (March 3 - 19, 2006)
The biennial Adelaide Festival of Arts is Australia's leading multi-arts festival. Artists' Week is the major visual arts component of the Festival and features a program of free artist talks, panel discussions and workshops. Media State is a special initiative that will focus on new media projects and collaborations. In the lead-up to the ISEA 2006 Pacific Rim New Media Summit (San Jose, California, August 2006), members of the Directory, Organisations and Residencies Working Group will meet in Adelaide as part of the Artists' Week/Media State program and provide a public platform to introduce the Pacific Rim New Media Summit and Working Group initiatives.
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February 27-March 5 2006
6th International Istanbul Interaction Design Workshop
Young Instructor Training Program Design As Seeing As Thinking
Kadir Has University, Istanbul, Turkey February 27-March 5 2006 Endorsed by YASMIN network
The focus of this workshop was to enhance the quality of
teaching by young instructors in interactive media design through developing
their knowledge base of the principles of design and the process of
problem finding and problem solving. A series of design problems
were explored using the local as a point of departure.
Participants explored the physical, geographic, cultural region
of Istanbul and through systems of observation and methods of
recording information addressed cross-cultural interpretations of
place. The design problem and process were linked to methods and
strategies for improving skills in the classroom.
Curator: Prof.Dr. Oguzhan Ozcan, Yildiz Technical University
Supervisor: Prof. Roberley Bell, Rochester Institute of Technology
MORE INFORMATION: http://www.idws.info
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22-25 February 2006
College Art Association Annual Conference
Hynes Convention Center, Boston, MA, 22-25 February, 2006
The Leonardo Education Forum participated for the third time in the annual College Art Association Conference--this time in Boston MA. Sessions included the Leonardo Mentorship Roundtable, Mentorship Workshops, the Leonardo Town Hall Meeting and a special session entitled: "New Media Futures: The Artist as Researcher and Research as Art in the 21st Century".
MORE INFORMATION about LEF panels and events at the 2006 CAA conference
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6-12 November 2005
ACM Multimedia 2005 Interactive Art Program
Singapore, 6-12 November 2005
Sponsored by ACM SIGMM, SIGGRAPH, and SIGCOMM
In collaboration with Leonardo
ACM Multimedia is the premier annual multimedia conference. The ACM Multimedia Interactive Art Program brings together the arts and multimedia communities to create the stage to explore, discuss, and push the limits for the advancement of both multimedia technology through the arts, and the arts through multimedia technology.
The ACM Multimedia Interactive Art Program consisted of a conference track and a multimedia art exhibition titled "Presence/Absence." The
conference was held at the Hilton Hotel in Singapore, and the art exhibition was held at the LASALLE-SIA Gallery, Singapore.
"Presence/Absence" consisted of interdisciplinary art works that addressed the issue of presence in both artistic and technological, as well as in
political (migration, home, sense of belonging and identification), contexts.¾ In particular, interactive multimedia works were sought in which the combination of multiple media, technologies, and novel technical ideas results in strong artistic concepts that give a new perspective on some aspect of presence.
The following artists were featured in the exhibition: Mauricio Arango, David Birchfield, Stephen Boyd Davis, Rachel Jacobs, Matt Watkins, Magnus
Moar, John Cox, Chris Riddoch, Karl Cooke, Richard Hull, Tom Melamed, Alan Dunning, Paul Woodrow, Morley Hollenberg, Miha Cighlar, Petra Gemeinboeck, Mary Agnes Krell, Jason Nelson, Hideaki Ogawa, Noriaki Ando, Satoshi Onodera, Krister Olsson, Takashi Kawashima, Martin Pichlmair, Raquel Renno, Rafael Marchetti, Gonzague Defos du Rau, Jack Stenner, Andruid Kerne, Keiko Takahashi, Shinji Sasada, Yu-Chuan Tseng, Jason Lee, Yu-Cheng Hsu, Hisako Yamakawa.
A selection of the works accepted for the conference will be published in a Leonardo Gallery in the Leonardo print journal and on line in Leonardo
Electronic Almanac.
For further information please visit: http://acmmm05.comp.nus.edu.sg/artprogram.htm.
INTERACTIVE ART PROGRAM 2005 CHAIRS
Alejandro Jaimes, FXPAL Japan, Fuji Xerox Co. Ltd.
Andrew Senior, IBM T.J.Watson Research Center
Irina Aristarkhova, National University of Singapore
CURATORIAL COMMITTEE
Jeffrey Shaw, University of New South Wales, Australia
Yukiko Shikata, NTT InterCommunication Center, Japan
Eugene Tan, LASALLE-SIA College of the Arts Singapore
I. Aristarkhova, A. Jaimes, A. Senior
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28 September - 1 October 2005
Refresh! International New Media Art History Conference
Banff Center, Canada
Co-Sponsored by Leonardo/ISAST
The first international art history conference covering art and new media, art and technology, art-science interaction, and the history of media as pertinent to contemporary art was held 28 Sept - 3 Oct 2005 at the Banff Centre, Canada.
The conference (28 Sept-1 Oct) was followed by a 2-day speakers' and organizers retreat in order to plan follow-up (2-3 Oct).
The event was co-sponsored by Leonardo/ISAST, Leonardo/OLATS, UNESCO DIGIARTS, Database for Virtual Art and the Banff New Media Institute. An International Advisory Board chaired by Oliver Grau of Humboldt University designed the program.
More information
Official Conference Website: http://www.mediaarthistory.org
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1-4 August 2005
SIGGRAPH 2005
2006 Pacific Rim New Media Summit preview
Tuesday Aug. 2, 2005, 1-4 p.m Leonardo Town Hall Meeting
August 3, 2005, 4-6 p.m
Meeting Room of the International Center (Los Angeles Convention Center South Lobby)
Los Angeles, CA
Members of the Leonardo
and others interested
in the intersection of the arts,
sciences and technology gathered together for an open Town Hall meeting
at the SIGGRAPH2005 Convention
to discuss current Leonardo projects
and future directions.
The awarding of the 2005 Frank J. Malina
Leonardo Lifetime Achievement Award to Abraham Palatnik was also announced.
Leonardo Network members attending SIGGRAPH 2005 also gathered for a public presentation introducing the 2006 Pacific Rim New Media Summit (an event that will take place as a pre-symposium event to ISEA 2006 in San Jose, CA).
For Information about attending SIGGRAPH2005 visit http://www.siggraph.org/s2005.
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6 June 2005
Michele Emmer Book Signing Event
5:30 p.m. to 7:30 p.m.
Mathematical Sciences Research Institute
2850 Telegraph Avenue, 6th Floor
Berkeley, CA 94705, U.S.A.
Mathematicians throughout history have created shapes, forms, and relationships, and some of these can be expressed visually. Computer technology allows us to visualize mathematical forms and relationships in new detail using, among other techniques, 3D modeling and animation. The Visual Mind proposes to compare the visual ideas of artists and mathematicians -- not to collect abstract thoughts on a general theme, but to allow one point of view to encounter another. The contributors, who include art historian Linda Dalrymple Henderson and filmmaker Peter Greenaway, examine mathematics and aesthetics; geometry and art; mathematics and art; geometry, computer graphics, and art; and visualization and cinema. They discuss such topics as aesthetics for computers, the Guggenheim Museum in Bilbao, cubism and relativity in twentieth-century art, the aesthetic value of optimal geometry, and mathematics and cinema.
See http://lbs.mit.edu for more information about The Visual Mind II and about the other books in the Leonardo Book Series.
Member Discount! Leonardo/ISAST Associate Members are eligible
for 20% off all Leonardo Book Series titles and also receive a number
of other membership benefits! See http://Leonardo.info/members.html
for more details.
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19 - 21 May 2005
9th Leonardo/Olats Space and the Arts Workshop
Chateau d'Yverdon, Yverdon-les-Bains, Switzerland
Theme: Planetary Consciousness and the Arts
Deadline for abstract submission: October 2nd
"Space: Planetary Consciousness and the Arts" is the theme of the 9th workshop and symposium on space and the arts which is being co-organized by the O.U.R.S. Foundation, Leonardo/Olats, Maison dAilleurs and the International Academy of Astronautics (IAA) and its Commission VI. It is scheduled to be held at the Château and Museum of Yverdon-les-Bains, Switzerland from 19-21 May 2005.
MORE INFO
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16-19 March 2005
First IAA International Conference and 8th Leonardo/Olats Space and the Arts Workshop
Budapest, Hungary
http://www.congrex.nl/05c04/
http://www.impactofspace.hu
In collaboration with the First IAA International Conference that took place March 17-19 2005 in Budapest, Leonardo/Olats held its 8th Space and the Arts Workshop on March 16th 2005 on the theme of "The Impact of Space on Society: Cultural Aspects".
Under the sub-theme of "Art and literature, science fiction, cultural aspects of space activities", the selected participants to the Conference formed the core group of the Leonardo/Olats Space and the Arts Workshop.
Artists, writers and other cultural professionals addressed the role of the artist in the context of societal and cultural aspects of space activities from a future oriented perspective.
Committees
"Arts and Space" Selecting Committee Ivan Almar (Chairman, IAA Commission 6)
Annick Bureaud (Leonardo/Olats)
Roger Malina (International Academy of Astronautics)
David Raitt (ESA)
Arthur Woods (OURS Foundation)
Nina Czegledy, (ISEA President)
Miklos Peternak (C3)
Jean-Luc Soret (@rt-Outsiders)
Conference International Program Committee
Ivan Almar (Chairman, IAA Commission 6)
François Becker (ISU)
Roger Malina (IAA)
David Raitt (ESA)
Arthur Woods (OURS Foundation)
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16 - 19 February 2005
2005 CAA Conference
Atlanta GA, USA
As an affiliated society of the College Art Association (CAA), Leonardo has joined the largest professional community of artists and art historians in the United States. The Leonardo-CAA committee is a working group of artists, scientists and engineers that belong both to the Leonardo Network and to the College Art Association. The purpose of this committee is to develop joint actions between the two organizations such as promoting the work of artists and art historians in the art-science and art-technology interdisciplinary fields. The working group is discussing and developing ideas for sessions at the CAA meetings and mentoring programs for students in the field. This group is open to any person both in the CAA and in the Leonardo Network.
Leonardo held several sessions at the 2005 CAA conference in Atlanta, Georgia, USA, February 16-19, 2005:
- Mentorship Roundtable, Wednesday 16 February, 2:30 to 4:00 p.m.
- A Special Session: Hybridity: Arts, Sciences and Cultural Effects, Wednesday 16 February, 4:00 to 5:30 p.m.
- Leonardo Town Hall Meeting, Thursday 17 February, 12:30 to 2:00 p.m.
- ARTspace Lounge Screening, Thursday 17 February, 7:30 a.m. to 9:00 p.m.
- Career Development Workshops, Thursday 17 February, and Friday 18 February, 8 a.m. to 5 p.m.
Leonardo's Special session held at CAA was entitled "Hybridity: Arts, Sciences, and Cultural Effects," co-chaired by Yvonne Spielmann of the Braunschweig School of Art and Jay David Bolter of the Georgia Institute of Technology. Speakers in this session included Amy Ione, Diatrope Institute; Dan Sandin, University of Illinois at Chicago; Diane Gromala, Georgia Institute of Technology; and George Legrady, University of California at Santa Barbara.
More details and information about the 2005 CAA working group and conference events
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10-12 February, 2005
Space Art Workshop - Zero Gravity Consortium
NASA Ames Research Center, Moffet Field, CA
For three days in February, artists and scientists from several prominent national and international institutions will convene at the Carnegie Mellon University West Coast Campus at the NASA Ames Research Center, Moffett Field, California, to discuss and prepare for future collaborative work in space. The Workshop, which is being organized by the Zero Gravity Arts Consortium, The STUDIO for Creative Inquiry at Carnegie Mellon University, the Center for Science Education at Space Sciences Laboratory, University of California at Berkeley, Leonardo and artists and scientists from the NASA Jet Propulsion Laboratory, will be open to invited participants on Thursday, February 10, 2005, and will conclude with a public event, sponsored by Zero One: The Art and Technology Network on Saturday, February 12. Participants in the workshop sessions will include artists, curators, writers on science and technology, NASA and SETI personnel, and international representatives of the space art community. Topics to be discussed include The Arts and the Evolution of Space Culture, Space Art History, Artists' Residences at NASA, ESA, and JAXA, and Future Public Integration through Education, Exhibition, Media and Symposia.
For more information visit http://www.zgac.org.
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20 November 2004
Multiple Versions of the World: Conference Marking 100 Years of Gregory Bateson's Influence
Center for Science Technology and Society, Santa Clara University, California
(with a special reception on 19th November)
Among the many featured speakers on November 20th are:
- Mary Catherine Bateson: Institute for Intercultural Studies
- Peter Harries-Jones: Prof. of Anthropology (Emeritus), York University,
Ontario; author "A Recursive Vision"
- Jerry Brown: Mayor of Oakland; former Gov. of California
- Nathan Gray: Co-founder OXFAM America; founder, EarthTrain
- Tim Campbell: World Bank Institute; author "Quiet Revolution"; "Leadership and Innovation"
- Jay Ogilvy: Co-founder, Global Business Network; author, "Creating Better Futures"
- Carol Wilder: Assoc. Dean and Chair, Dept. of Communication, New School University (NYC); author "Rigor and Imagination: Essays from the Legacy of Gregory Bateson"
- Kenny Ausubel: Founder & President, Collective Heritage Institute (which produces the Bioneers Conference)
The November 20th event is sponsored by: Urban Age Institute, Bioneers Inc., Global Business Network Inc.,
Gateway Pacific Foundation,
The Natural Step,
The Tides Family of Organizations,
Point Foundation, Urban Age Magazine, and
Leonardo/ISAST.
Special world premiere event: Nora Bateson's film tribute to Gregory Bateson: "That Reminds Me of a Story"
For more information about the Bateson Centennial Conference, go to: http://www.batesonconference.org/
To purchase tickets to the conference go to:
http://www.acteva.com/go/Bateson
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30 September 2004
Talk by Roger Malina Featured at the Exploratorium, San Francisco
Thursday, 30 Sept. 2004: Reception at 6:00 pm, Program at 6:30 pm
Leonardo Executive Editor Roger Malina will speak at the Exploratorium in San Francisco on the topic: "The New Leonardos: Why the Work of Artists Is Important for the Science and Technology of the Future." This talk is part of the Exploratorium's program "Meet the Minds: New Thoughts in Science and Art." Dr. Malina looks at how the work of artists today, like the work of the Renaissance master Leonardo, is injecting new ideas and approaches that will help define the science and technology of the next century. The recent discoveries of dark energy and dark matter motivate our need to re-examine the cultural context and contingencies that, in large part, determine what scientists work on, how they work, and which new technologies are viewed as "desirable" and fundable within society.
The Exploratorium is located at Exploratorium the Palace of Fine Arts, 3601 Lyon Street, San Francisco, California. For directions to the museum (recording): call (415) 561-0399. See
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11 September 2004
Biennial of Electronic Arts Perth (BEAP) Leonardo/ISAST launched the most recent issue of its print journal Leonardo (37:4) at the Biennial of Electronic Arts Perth (BEAP). As part of the BioDifference conference within BEAP, Leonardo publications were featured along with many members of the Leonardo network. Leonardo Editorial Advisor George Gessert delivered the BioDifference keynote address, and Leonardo/ISAST Governing Board member Stephen Wilson was the conference plenary speaker. "BioDifference: The Political Ecology" took place at the University of Western Australia on 11 September 2004. For more information, see http://www.beap.org
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18-20 July 2004
Melilla Colloquium on Art, Science and Spirituality
1st International Festival of Cultures, Melilla, Spain
Web site with further information: http://www.olats.org
Persons wishing to attend the Colloquium: http://www.melillafestival.org
Host: 1st International Festival of Cultures, Melilla, Spain
Poster Submission Deadline: June 20, 2004
see also Leonardo Call for submissions
Leonardo is pleased to announce a collaboration with the City of Melilla and the Al Andalus Foundation, for a colloquium on the reconnection of art, science, and spirituality. This intercultural dialogue is offered as one contribution towards cultural developments within the new planetary context.
Modern cosmology and physics emphasize the interdependence of complex systems on scales from the microscopic to the macroscopic. Contemporary genetics reveal the underlying shared genetic identity not only of all human beings, but the genetic relatedness of all life on earth. Current scientific discoveries reconnect science to a number of philosophical and spiritual traditions. These reconnections offer the promise of the development of new philosophical and value systems appropriate to new emerging linked planetary cultures.
Artists and Scientists have been at the forefront of the use of these new systems to build life-enhancing cultural developments in linked planetary contexts.
This colloquium, with 20 participating artists, scientists and philosophers, (see http://www.olats.org for a list of participants) is intended to be a listening post, an opportunity for inter-cultural dialogue and a specific step towards magnifying and amplifying new, emerging, planetary cultural practice.
The choice of the City of Melilla as the host for this colloquium is not an accident. Melilla has a millennial history of multi-cultural, multi-lingual synergy and dialogue within the Mediterranean context. The city offers itself as a podium to communicate outcomes of this first colloquium: to make real the opportunities for the reconnection of art, science and spirituality for the building of new 21st century planetary cultures.
Leonardo is issuing a call for posters for the colloquium from artists, scientists, engineers and philosophers. A poster presentation lasts at maximum 5 minutes. Posters will be also displayed during 3 days in the colloquium public spaces.
If you can't attend the Colloquium in person, you may send a VHS cassette which could be displayed during 5 minutes. See Leonardo call for submission. <
There is no funding available for participation in the symposium but there is no registration fee and there are reduced hotel rates and travel on Iberia. If you are interested in presenting a poster, please contact the following email address: julien_knebusch@yahoo.com.fr and submit an abstract (500 words maximum). You are encouraged to submit also website addresses where any texts on your work might be found.
We are seeking presentations that present specific scientific and artistic projects, and make visible the cultural/philosophical/religious situations that set a priori conditions and constraints on approaches and specific work.
The official languages of the colloquium will be English and Spanish, with simultaneous translation also into French.
Partial Funding for this Leonardo project has been provided by the Ford and Rockefeller Foundations and UNESCO DIGIARTS.
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18-21 May 2004
Space Art Workshop: Space: Science, Technology and the Arts
European Space Research and Technology Centre (ESA-ESTEC)
Noordwijk, The Netherlands
Since the birth of space exploration artists and space scientists have inspired each other in the development of humanityås space programs, regularly exchanging information, ideas and visions. Artists working with space subjects and themes invariably become heavily involved in both the physics and the technologies of space - either as muse, metaphor or subject or as a tool necessary for the development of their artistic creations. Artists, wanting to explore space on their own artistic terms, often must become very knowledgeable about the utilization of space technologies, materials, mechanisms and procedures in order to develop feasible art works and projects. Such projects are subject to the same conditions and regulations governing scientific experiments designed for space. Such activities have broadened the idea of space exploration within the space community while making space exploration understandable in other ways and accessible by larger public.
Now that the International Space Station (ISS) is nearing completion the ISS partners have begun to investigate ideas how this orbital facility can be utilized, not only as a platform for scientific experimentation, but also as a platform for cultural exploration and expression. This creates a new opportunity and challenge for artists and other cultural professionals to work closely together with space scientists, engineers, technologists and administrators in developing new concepts, projects and strategies.
The "Space: Science, Technology and the Arts" workshop promises to be an important pivotal event as it provides a unique opportunity for professionals in the space and the arts communities to meet, discuss and exchange new ideas related to the cultural exploration of space. Presentations are being solicited from space scientists, engineers, technologists, artists, writers, journalists, art critics, curators and philosophers who have a developed interest in the aims and theme of the workshop.
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23-25 April 2004
INTERACTIVE PROJECT: ACTIVATED ENVIRONMENTS AND HYBRID INSTRUMENTS CONFERENCE
NEW YORK, APRIL 23-25, 2004
(Leonardo and Harvestworks Event Collaboration)
Leonardo and Harvestworks are participating in The Interactive Project: Activated Environments and Hybrid Instruments conference, April 23-25, 2004 in New York City. The weekend-long seminar will feature artworks by the Harvestworks residents, panel discussions and demonstrations and involve arts organizations and artist's studios in the city.
Leonardo Music Journal editor-in-chief Nic Collins will present his own work on April 24 (12:30 p.m.) and also moderate a panel on April 25 (1:30 p.m.) on the topic of Hybrid Music Instruments.
The Electronic Music Foundation will sell back issues of Leonardo and Leonardo Music Journal and CDs at very special rates, along with selections from the EMF catalog.
For more information see http://www.harvestworks.org
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18-21 February 2004
COLLEGE ART ASSOCIATION CONFERENCE
SEATTLE WASHINGTON
www.collegeart.org/caa/conference/2004/04PreProgram/index.html
LEONARDO/ISAST PANEL DISCUSSION AT CAA:
Wednesday, February 18, 2004, 4:00-5:30pm
Art, Science, and Technology: Problems and Issues
Facing an Emerging Interdisciplinary Field
Chair: Mark Resch, Onomy Labs
Sheila Pinkel, Pomona College
Julio Bermúdez, University of Utah
Michael Punt, Centre for Advanced Inquiry in the Interactive Arts
Nina Czegledy
Discussant: Roger Malina, Leonardo
The first hour will consist of presentations: each speaker will present his or her work for 15 minutes, focusing on how it engages aspects of interdisciplinary collaboration. Following the individual presentations will be a roundtable discussion among the speakers, discussant and audience members. Issues that might be addressed during the discussion section of the session include: long-distance collaboration, university departmental politics, project funding, cultural pluralism and whatever else piques interest during the talks.
LEONARDO BUSINESS MEETING AT CAA
Saturday, February 21, 12:30-2:00pm
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20-21 January 2004
Beyond Productivity: Information Technology, Innovation, and Creativity
San Francisco, CA
Beyond Productivity examines the dynamic intersection of information technology with the world of the arts and design. This intersection has already yielded results of significant cultural and economic value, including innovative architectural and product designs, computer animated films, games and music, interactive art installations, cross-cultural experimentation, and Web-based texts. However, many opportunities for new collaborative ventures remain to be explored. Leading the discussions will be Professor William J. Mitchell, academic head of Media Arts and Sciences at the Massachusetts Institute of Technology (which includes the Media Lab) and Chairman of the study committee that produced Beyond Productivity. He will be joined by members of the study committee, as well as leaders from academia, philanthropy, and the technology and art communities. Each attendee will receive a complimentary copy of Beyond Productivity.
Thursday, January 22, 2004 - Yerba Buena Center for the Arts
Friday, January 23, 2004 - The San Jose Museum of Art
Further information about the study may be found at http://cstb.org/project_creativity.
Please contact Margaret Huynh mhuynh@nas.edu with any questions about these events.
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4-5 October 2003
LEONARDO/OLATS CO-SPONSORS SYMPOSIUM
Visibility Legibility of Space Art
Art and Zero Gravity: The Experience of Parabolic Flights
International Festival @rt Outsiders
Maison Européenne de la Photographie
5/7 rue de Fourcy
75004 Paris
Métro : Saint-Paul
Information:
http://www.olats.org
http://www.art-outsiders.com
Curated by Annick Bureaud, this symposium is a joint project between the @rt Outsiders International Festival (http://www.art-outsiders.com) and Leonardo/Olats (http://www.olats.org).
The Visibility Legibility of Space Art. Art and Zero Gravity: The Experience of Parabolic Flights symposium proposes to:
- present the details of parabolic flights and consider the main issues outside of their spectacular nature;
- specify their different roles within the creative process. Often perceived as the space where creation takes place (site of performance and exhibition), parabolic flights are first and foremost the space of experimentation (a "studio" or creative workshop) as well as the material for creation;
- conduct a preliminary aesthetic analysis of the works: what is their form, what do they say, how do they relate to contemporary art and to techno-scientific art in general, in what way are they "informed" by weightlessness and the environment that constitutes the flight? etc.;
- highlight the importance of these works within a broader artistic process;
- raise questions regarding the "visibility" and "legibility" of the work, to question art critic.
This symposium gathers artists, theorists as well as parabolic flight specialists. Alex Adriaansens, director V2, Rotterdam Marcel.li Antunez Roca, artist, Barcelona Kitsou Dubois, artist, Paris Kodwo Eshun, Anjalika Sagar, Richard Couzins, artists, London Vadim Fishkin, artist, Ljubljana/Moscow Flow Motion (Anna Piva & Edward George), artists, London Jean-Pierre Haigneré, spationaut, Paris Nicola Triscott & Rob LaFrenais, Arts Catalyst, London Roger Malina, astronomer, director of Leonardo, Marseille Takuro Osaka, artist, Tokyo Marko Peljhan, artist, director Projekt Atol, Ljubjana Frank Pietronigro, artist, San Francisco Thierry Pozzo, researcher, Dijon Mikhail Ryklin, philosopher, Moscow, Denis Thierion, parabolic flight director, CNES, Toulouse Louise K. Wilson, artist, London
Whether it is in the scientific, commercial or artistic field, space exploration introduces extremely diverse practices. This year, the @rt Outsiders International Festival 2003 proposes to investigate some of these practices within the world of contemporary art.
The sensation of weightlessness, of "floating," "flying," "freely" in three dimensions, of "holding still" without support and without fear of falling, is one of the more tenacious dreams, desires fantasies? and surely one of the chief reasons human beings succumb to the urge to venture outside of their native planet. For many artists, creating work in, with, for, or about this condition of "zero gravity" is an artistic re-examination extending far beyond the dream.
With the exception of a few cosmonauts or astronauts who are also painters, such as the Russian Alexei Leonov, to this day no artist has been able to "live" weightlessness in a durable fashion aboard a space station or the American shuttle. On Earth, the parabolic flight remains the sole means of experiencing this unique condition.
In a parabolic flight, a specially equipped plane describes a series of parabolas in the air (bell-shaped curves with a 45° angle). In the "climbing" phase, gravity goes from 1 G. (normal terrestrial gravity) to 2 G. for 20 seconds before attaining the weightless phase at the "top of the curve" for approximately 25 seconds. During the "descent" phase of the flight, the plane returns to the 2 G. phase for roughly 20 seconds. The cycle is repeated. Thus, the parabolic flight can be described as a succession of very short periods (2 G. - 0 G. - 2 G. - 1 G) constituting a rather exceptional environment, where the experience of weightlessness is "framed" by moments of 2 G.
Although access to parabolic flights remains a challenge for artists, to date 22 have been able to work with and within their unique environment. Thus, we have a very diverse body of work and projects at our disposal (ranging from dance to performance, sculpture, painting, sound/music, video, etc.) by artists from different artistic horizons and diverse cultures (France, Japan, Spain, Russia, United States, Great Britain, etc
).
Within the category of space art, creation during parabolic flights constitutes a comprehensive subgroup that defines a "common base" from which to conduct an artistic and aesthetic analysis of these practices. This is the challenge of this symposium.
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15-17 October 2003
ELECTROACOUSTIC MUSICS
A century of innovation involving sound and technology
Resources, Discourse, Analytical Tools
Resonances, Petite Salle, Pompidou Centre, Paris
Inspired by the EARS project (ElectroAcoustic Resource Site, MTI Research Group, De Montfort University) and initiated by the MTI and the MINT group of the Université de Paris Sorbonne, this conference is coordinated by an international team of organizations reflecting the level of its ambition: to bring together reflections concerning the better understanding of electroacoustic music and to make relevant initiatives more widely available from this music's genesis, its appearance and its development spanning a century.
Information:
http://www.omf.paris4.sorbonne.fr/omf-articles.php3?id_rubrique=73&id_article=22
and
http://resonances2003.ircam.fr
Resonances, International Convention on technologies for music, organized by Ircam - Pompidou Centre. Conference organized in collaboration with De Montfort and Sorbonne Universities, INA/GRM, the Musée de la musique, Paris, and Electronic Music Foundation. Organized with the support of OLATS - Observatoire LEONARDO des Arts et Technosciences (http://www.olats.org) and in cooperation with UNESCO (Digi-Arts sub-portal, UNESCO Knowledge Portal).
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10 May 2003
Roy Ascott and Edward Shanken at San Francisco Art Institute
On Saturday, May 10 from 5:00 p.m. to 7:00 p.m., Leonardo and the San Francisco Art Institute invite you to the Bay Area book launch and signing for Roy Ascott's new book, Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness, edited by Edward Shanken (University of California Press, 2003). Both Ascott and Shanken will give a brief talk and answer your questions about the book. Books will be available for sale and signing.
Saturday, May 10, 5-7 p.m.
San Francisco Art Institute, Quad
800 Chestnut Street
San Francisco, CA 94133
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23--24 March 2003
LEONARDO CO-SPONSORS WORKSHOP
ENCODING ALTRUISM: THE ART AND SCIENCE OF
INTERSTELLAR MESSAGE COMPOSITION
The workshop will focus on two broad themes: first, the interface of art, science, and technology in interstellar message design; and second, how to communicate concepts of altruism in interstellar messages. The keynote speaker will be Dr. Jerome H. Barkow, Professor of Sociology and Sociological Anthropology at Dalhousie University.
A distinguished group of scientists, artists, and scholars from the humanities will discuss many facets of interstellar communication, including
- Creating interstellar messages that unfold and evolve in response to the "listener."
- Preparing for interstellar contact by studying animal communication.
- Expressing the human sense of beauty in interstellar messages.
- Uncovering the origins of language through archeology.
- Communicating religious views of altruism through artificial languages.
- Composing interstellar "music" inspired by the structure of DNA.
- Explaining the logic of altruism.
The workshop is being sponsored by The SETI Institute; Leonardo Observatory for the Arts and TechnoSciences; The John Templeton Foundation; The International Society for the Arts, Sciences and Technology (ISAST); and The International Academy of Astronautics (IAA) Permanent SETI Study Group.
See the workshop website for extended abstracts and narrative: http://publish.seti.org/art_science/2003/
Email: altruism@seti.org
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6-8 December 2002
ArtSci2002: New Dimensions in Collaboration
the American Museum of Natural History and the CUNY Graduate Center, NYC
The legacy of Albert Einstein highlighted at the 4th international art-sci symposium, organized by ASCI.
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29 November - 2 December 2002
ARTMEDIA VIII CO-SPONSORED BY LEONARDO/OLATS
From "l'Aesthetics of Communication" to Net Art
International symposium organized by Mario Costa, Fred Forest & Annick Bureaud
under the umbrella of the Universita degli Studi di Salerno, Dipartimento di Filosofia
The program and symposium details are now online at: http://www.olats.org/artmedia8.html
Two online exhibitions and two bibliographies are presented in conjunction with the symposium.
Locations:
From November 29th to December 1st 2002:
Centre Franòais du Commerce Ext´rieur (CFCE)
10, avenue d'I´na
75116 Paris
Monday December 2nd 2002:
Ecole Normale Sup´rieure (ENS)
46, rue d'Ulm
75005 Paris
For more Information on speakers, topics, events visit: http://www.olats.org
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2002
ISEA 2002
Leonardo Executive Editor Roger Malina will be a keynote speaker at ISEA2002 - The 11th International Symposium on Electronic Art which will be held for the first time ever in Asia, in Nagoya, Japan. It is organized by MEDIASELECT in collaboration with ISEA.
see http://www.isea.qc.ca/ for more details.
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15-20 July 2002
Aesthetic Computing Workship Dagstuhl, Germany
Leonardo Co-Sponsors Workshop on Aesthetic Computing in July 2002. Leonardo/ISAST is co-sponsoring a workshop led by Paul Fishwick of the University of Florida on Aesthetic Computing (Artist driven computer science) to be held at Dagstuhl, Germany from 15-20 July 2002. Information on the workshop, can be found at: http://www.cise.ufl.edu/~fishwick/cap6836/ac.pdf
Dagstuhl seminars have from 25 to 60 participants, with roughly 20% young researchers in attendance. Participation at the workshop is by invitation only. Leonardo associate members who may be interested in attending should send email to leo@mitpress.mit.edu with the URL of your CV. There is a waiting list for participants and attendance will be on a space-available basis.
There is a permanent mailing list on the topic at http://www.yahoogroups.com under the group "aestheticcomputing" (no spaces). Please feel free to subscribe.
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April 2002
Leonardo Space Art Workshop: The Collaborative Process in Space Art
The Sixth Space Arts Workshop examined dialogues between artists, scientists, and engineers, presenting examples of results produced by interdisciplinary collaboration in space art. Past as well as future space art projects were presented and discussed with an emphasis on promoting new collaborations between artists, scientists, and engineers.
Under the title "Rencontres du 13 avril," a series of small, one-day workshops on Space and the Arts were co-organized by Leonardo/Olats, the OURS Foundation and the International Academy for Astronautics. Held in Boulogne-Billancourt, a suburb near Paris, these workshops attracted leading space scientists, engineers and artists on specific themes chosen to generate exchanges between artists and scientists concerning the cultural impact of space activities. See http://www.olats.org for more information.
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22 February 2002
Frank J. Malina Symposium, Texas A & M University
The first Frank J. Malina Symposium was held at Texas A & M University on February 22, 2002. Hosted by the Department of Aerospace Engineering, the symposium brought together speakers from aerospace engineering and the arts to celebrate the contributions of the founder of Leonardo. Speakers included Joseph Spetz who gave the first Frank J. Malina lecture on high speed flight and advanced scramjet concets. Historian of technology Benjamin Zibit reviewed the history of rocketry and Frank Malina's role leading the team that launched America's first successful high altitude rocket as well as in the founding of the NASA Jet Propulsion Laboratory. Roger Malina and Thomas Linehan reviewed his contributions to the arts and the founding of Leonardo and Leonardo award winner Janet-Saad-Cook gave a talk describing her work creating artworks using sunlight. John Junkins, the organizer of the symposium and a recipient of the International Federation of Astronautics Frank J. Malina Medal gave a talk reviewing the development of space engineering at Texas A & M and announced plans to name an auditorium after Malina and to make the Frank J. Malina symposium an annual event. Further information on Frank J. Malina can be found at http://www.olats.org/pionniers/malina/malina.shtml. Further information on future symposia can be obtained by contacting Lisa Willingham at l-willingham@tamu.edu
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April 2001
Leonardo Space Art Workshop: Outer Space - Cyberspace
The Fifth Space Arts Worshop explored the ways that artists and scientists are using the internet both to extend human presence in outer space, but also to bring access to the results of space exploration to earth. The first interplanetary internet nodes are being planned, and the international space station will be connected to the Internet. Space agencies are now using the Internet to enable broad access to the results of space exploration; future missions are being planned to allow live webcasts of images. Simulated exraterrestrial worlds have been created by artists in virtual space, and artists and scientists have used the Web to create scenarios of the future of space exploration. This workshop explored how outer space and cyberspace are becoming interconnected, and how concepts and approaches that have been developed in outer space activities can be related to the concepts and approaches of cyberspace.
Under the title "Rencontres du 13 avril," a series of small, one-day workshops on Space and the Arts were co-organized by Leonardo/Olats, the OURS Foundation and the International Academy for Astronautics. Held in Boulogne-Billancourt, a suburb near Paris, these workshops attracted leading space scientists, engineers and artists on specific themes chosen to generate exchanges between artists and scientists concerning the cultural impact of space activities. See http://www.olats.org for more information.
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12 - 13 December 2000
Art in the Post-biological Era Symposium
Médiathèque de l'Ensba
CID, Palais des Etudes, Escalier droite, 1er étage
Paris, France
The symposium is organized by OLATS and CAiiA-STAR in cooperation with
the Mediatheque of the Ecole nationale sup½rieure des beaux-arts (Paris
National Art School).
Following the biological evolution, then the cultural and social
evolution (from the first prehistorical tools up to nowadays), we are
entering a new phase in which the future of Humans is framed by
technologies, among which the biotechnologies.
With his theory of evolution, Darwin had confronted us with the
continuum of the living... and with the necessity to redefine ourselves,
as humans, in regard of other animals and, specially, the mamals. The
technologies around us that emerged from cybernetics (telecomputation,
artificial life, robotics) have lead us to a confrontation with the
machine, the organic and the inorganic. Today, the biotechnologies
confront us with the creation of new species, "artificial" living
systems, that could, may be, give birth to a new "human". In this
continuum between matter and life, carbon-based system and silicon-based
system, a new way to deal with consciousness is emerging, toward a technoetic.
Those issues, central to the techno-sciences researches, the political
and social debates, are also at the heart of art practices, be they
Internet-based, or bio-technological related, or in connection with
artificial life, or even with this very ancient art that is dance.
During those two days, through the presentations of the researches and
artworks of the artists members of the research group CAiiA-STAR, this
symposium will examine the current creations and explore the emerging
art practices within the field of art related to techno-sciences :
biotechnological art, online creation, virtual space - physical space
relationships, links between ancient myths and contemporary practives,
approaches to a consciousness reframed by contemporary technologies, etc.
* Participants :
Roy ASCOTT ; Peter ANDERS ; Donna COX ; Elisa GIACCARDI ; Diane GROMALA
; Pamela JENNINGS ; Eduardo KAC ; Jim LAUKES ; Dan LIVINGSTONE ; Kieran
LYONS ; Simone MICHELIN ; Laurent MIGNONNEAU ; Joseph NECHVATAL ; Marcos
NOVAK ; Michael PUNT ; Niranjan RAJAH ; Gretchen SCHILLER ; Thecla
SCHIPHORST ; Bill SEAMAN ; Chris SPEED ; Christa SOMMERER
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Leonardo Lawsuit
French Police Raid Leonardo Editor's Mother's Home outside of Paris. Roger Malina, executive editor of Leonardo and Leonardo/ISAST Nonprofit Board Chairman, writes about the current trademark infringement claim lawsuit by a French corporation against the Association Leonardo in France. At issue is the name "Leonardo," which has been the title of our publication for more than 30 years and which has recently been copyrighted by a French company. (28 May 2001: the case was dismissed)
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April 2000
Space Art Workshop: Life in Space
Is there sentient life "out there?" Or indeed, any life at all? The workshop examined the different searches for life: their scientific basis and methodologies and their myths and "silent background." There are projects that concentrate on looking for "ones-like-us" (intelligent life, with the SETI/Search for Extra-Terrestrial Intelligence activities), and projects that lean towards "ones-different-from-us" (astrobiology) who might even be non-carbon-based-lifeforms.
Under the title "Rencontres du 13 avril," a series of small, one-day workshops on Spac |